Цитата из книги «Вести ниоткуда, или Эпоха спокойствия» Уильям Морриспоказать все Добавить
She looked up at them, and said: “How is it that though we are so interested with our life for the most part, yet when people take to writing poems or painting pictures they seldom deal with our modern life, or if they do, take good care to make their poems or pictures unlike that life? Are we not good enough to paint ourselves? How is it that we find the dreadful times of the past so interesting to us—in pictures and poetry?”Old Hammond smiled. “It always was so, and I suppose always will be,” said he, “however it may be explained. It is true that in the nineteenth century, when there was so little art and so much talk about it, there was a theory that art and imaginative literature ought to deal with contemporary life; but they never did so; for, if there was any pretence of it, the author always took care (as Clara hinted just now) to disguise, or exaggerate, or idealise, and in some way or another make it strange; so that, for all the verisimilitude there was, he might just as well have dealt with the times of the Pharaohs.”
«Вести ниоткуда или Эпоха спокойствия» — одно из самых значительных произведений Морриса, наиболее полно отражающих его политические взгляды. Моррис написал книгу в ответ на утопию американца Беллами «Оглядываясь назад или 2000 год», имевшую невероятную популярность у читателей и раскритикованную Моррисом в печатном органе Социалистической лиги «Коммуноил». Беллами нарисовал будущее общество как торжество урбанизации, механизации, централизованного управления. По Беллами высокая концентрация...